Logan is made to transcend the well-known boundaries of overdrive. It doesn’t matter if you are looking for a pre-amp, a low/mid-gain drive or a screaming resonant cocked-wah sound, Logan will deliver all the gainy goods. Combined with our active 3-Band EQ, including a fully parametric Mid-EQ with a separate On/Off-Footswitch, Pre or Post Gain position-switch and an expression-in for hands-free filter sweeps, Logan is sure to deliver great tones and outstanding flexibility.
- Open and super touch-responsive overdrive pedal
- Impressive high-headroom-design (up to 25 dB) – perfect for use as a preamp with IR cab sim or modellers
- 3-band Active EQ with adjustable Mid Frequency – allows for the ultimate in tonal flexibility
- Dedicated Mids footswitch – great for pushing solos
- Standard expression input – allows control of the midrange frequency for fast and quacky wah-like sounds, to slow and enveloping phaser style filter sweeps
- Made by hand in Germany
- Powered by regular 9 V DC PSU (centre -, 2.1 mm, 30 mA current draw)
KMA have spent over a year conceptualizing, designing and perfecting Logan in order to give the world a drive pedal that will add immense tonal dimension and flexibility to anyone’s setup, all while preserving the natural characteristic and feel of your beloved instrument.
Logan’s gain structure is carefully balanced for an open and super touch-responsive drive tone, giving you and your instrument ample room to be expressive. You could describe its sound as smooth and harmonically rich, but users can add more hair, grit and sizzling depth as you pile on the gain, making Logan fit for anything from clean boost, amp-like breakup, indie clang to full-on rock machine.
It also sports an impressively high-headroom-design (up to 25 dB), enabling you to use Logan as a very versatile pre-amp too.
Logan features a 3-band active EQ. The Bass and Treble EQ knobs are able to both boost or cut your signal by around 15 dB. This enables you to beef up thin-sounding single coils, add some chime to chunky humbuckers or get rid of boomy bass frequencies, when changing from a sweet 2×12 to a fat 4×12 cabinet. In addition, the tonal flexibility is even further extended by Logan’s fully parametric Mid-EQ section, where the MID control lets you set your preferred mid frequency between 100 Hz to 2.5 kHz, while the CUT/BOOST control lets you cut or boost the selected frequency by up to 12 dB.
Logan sports a dedicated footswitch to activate or deactivate the Mid-EQ and a position-switch which lets you place it either before the main gain-stage (PRE) or after it (POST), opening up a whole world of tonal possibilities. Place the Mid-EQ post-gain to give yourself a level boost for solos or place it pre-gain to saturate your preferred frequency even more, effectively giving you a second gain-stage.
Then there’s the kicker! You can take complete hands-free control of the Mid-EQ Frequency via a regular expression-pedal. This lets you make instant tone changes on the fly, as well as unleash everything from fast and quacky wah-like sounds to slow and enveloping phasery filter sweeps.
The pedal has been set at the factory to sound stellar right out of the box, however some people might want to tweak some more options to taste. Via a hole in the base plate, you get direct access to an internal trim-pot to set the bandwidth (Q) of the Mid-EQ. Turn it counter-clockwise for a broad bandwidth, for smooth frequency sweeps or turn it completely clockwise for really resonant sounds. Removing the base plate will reveal a second trim-pot, which enables you to blend in your clean signal with the overdriven tone, making Logan transcend the world of guitar. Bass? Drums? Synths? Vocals?